PROJECT BACKGROUND
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The ‘Become. By BOSS’ capsule addresses Gen Z consumers as a vehicle to expand its business to this generational cohort. Indeed, a study has found Gen Zs are attracted to luxury brands and that they "seek luxury experiences that are attainable, inclusive, and resonate with their specific interests and lifestyles” (Cattaneo, 2025). Not only has it been found that Gen Zs are the top contributors to fashion consumption (Lim, 2025), but their purchasing power in the luxury market has increased to 25–30%, with them purchasing products that extend beyond what they can afford and, more so, who they aspire to be (Lim 2025). Research has also found a direct link between Gen Z purchasing behaviour and a model known as S-E-D (Scarcity–Expensiveness–Desirability) (Mersni and Najjar 2024). This model suggests that when products are scarce, alongside the high quality associated with higher price points, desirability is increased (Mersni and Najjar 2024). This has been suggested to significantly influence Gen Z purchasing behaviour, with the limited-edition nature playing into their more impulsive tendencies, thereby initiating more immediate actions, all out of perception and desire for exclusivity (Mersni and Najjar 2024). Indeed, this is suggested to be specific to the Gen Z cohort and their desire to use fashion as a vehicle to denote individuality, with the perception of owning a unique product becoming a synonymous symbol of their uniqueness. This is juxtaposed with Gen Z’s tech-driven nature and consequent desire for both in-store and digital experiences (Cattaneo 2025).
To successfully capture Gen Zs, their loyalty must be succinctly understood. A piece of literature to observe the emotional attachment and loyalty of Gen Zs and luxury brands was conducted to examine whether or not Gen Z loyalty to luxury brands was love or just like (Shin et al. 2023). Indeed, the study found that despite increased willingness to buy, the connection was in fact just like (Shin et al. 2023). This denotes that there is currently a lack of brands crafting products for Gen Z that fully consume them and initiate such a ‘love’, and therefore creates an opportunity for the BOSS brand to fully engage the Gen Z cohort. This was further supported by a study conducted on Gen Zs, which found that they are less focused on ownership and more on the experience (Cattaneo 2025). This denotes that the overall emotional connection and luxurious experience is imperative and will directly impact their likelihood to purchase and, as such, their consequent loyalty to the brand (Cattaneo 2025). To help achieve this desired loyalty, it has been suggested that to further attract luxury consumers, experiential strategies that reflect old and traditional-style luxury connotations should be utilised, such as concierge and butler experiences (Wahi and Ho 2025). Another strategy is directly linked to Gen Z and their digital facade. Indeed, due to the tech-driven nature of this generational cohort, research was conducted on the effect of experiential marketing, and specifically VR, on increasing Gen Z demand for goods (Bogicevic et al. 2024). The study found that with Gen Z being a cohort that craves digital brand experiences, having a brand integrate VR into its marketing strategy increased consumer sensory, intellectual and behavioural experience, and thereby, as an extension, increased their loyalty to the brand and prompted word-of-mouth (Bogicevic et al. 2024).
Ultimately, this research suggests there is a primary gap in the market of luxury products being specifically crafted with Gen Z consumers in mind, and the associated emotionally derived marketing campaigns, without necessarily compromising on quality. With the associated needs of Gen Z being highly experience- and feeling-based, the BOSS X S. Coups capsule must directly target their personal desires and emotional needs. The collection will aim to directly capture their aspirations and position the BOSS brand as something that deeply resonates with them; eventually becoming an extension of who they are.
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Despite the aforementioned research, no matter how targeted to the Gen Z consumer the collection may be, there is no denying the incontrovertible fact that brand trust is on the decline. Indeed, this is due to the over-saturation, abundance, and prevalence of the digital age, whereby information is readily available. This therefore suggests that, in order to mitigate this challenge on a global scale, BOSS must remain fully transparent in the creation of the Capsule collection. Indeed, a study suggested that deep transparency and authenticity were able to initiate a response similar to cause-related marketing, and therefore increase Gen Z loyalty (Mersni and Najjar 2024). This is perceived to be due to increasing satisfaction and connection between the consumer and the brand in an otherwise detached world, despite the level of connectedness now made accessible (Mersni and Najjar 2024).
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A global challenge may further lie in captivating Gen Z consumers in entirety. Indeed, as discussed, developing a deep emotional connection with Gen Z is vital to their continued and ongoing loyalty to the brand. However, it should be noted that this loyalty can in fact diverge depending on the region. As such, a recent research paper conducted on emotional branding and customer loyalty among Gen Zs in Japan and Indonesia found differing results in achieving the highest return (Isroni et al. 2025).
Indeed, the paper found that Japanese Gen Zs respond more strongly to aesthetics, storytelling, and quiet yet powerful integration of symbolism, whereas Indonesian Gen Zs respond more significantly to brands that curate social connection, authenticity, and community-led marketing (Isroni et al. 2025). This was reflected in the preference for Instagram-style, aesthetic content in Japan, compared to the viral nature of TikTok-based videos in Indonesia (Isroni et al. 2025). The study further denotes that Japanese consumers are more perceptive to aesthetic consistency across all branding and touch-points, whereas Indonesian consumers favour socially integrated branding and marketing (Isroni et al. 2025).
As such, this provides critical data for crafting the BOSS collection to appeal specifically to Japanese Gen Zs. However, it does pose the risk that if strategies lean too heavily toward the Japanese market, global retention of Gen Z may be impacted. Therefore, a careful juxtaposition of both preferences will be considered in order to specifically target Japanese Gen Zs without segregating the broader Gen Z audience; ensuring global scalability.
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Indeed, an additional challenge that may be faced on a global scale in targeting the capsule to Gen Z is ensuring the existing BOSS consumer is still maintained. While Gen Z, as an emerging market, creates a large opportunity for growth for BOSS, existing consumers should not be forgotten. Strategies must therefore still be employed to keep these customers loyal. As aforementioned, the Gen Z cohort clearly has diverging attributes from the Millennial and Boomer cohorts already partial to the BOSS brand (Rom-Frank 2025). So, while new marketing and design strategies will be employed, the heart of the collection will remain true to BOSS’ heritage and DNA.
Indeed, as further outlined in the project proposal, a key upcoming brand strategy identified by WGSN; “Brand Strategy: Restorytelling”, will be employed. This strategy aims to capture the Gen Z consumer by stepping away from typical ‘hype’ and overtly trend-driven content, and instead making them feel safe, confident, and inspired (Rom-Frank 2025). Simultaneously, it will use brand history to deepen legacy through homage to nostalgia, keeping the brand activated among its existing clientele (Rom-Frank 2025). The core intention is to “find an authentic balance between their [brand’s] legacy and the cultural zeitgeist” (Rom-Frank 2025).
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The rise and popularity of K-pop is another factor that should be greatly considered. Indeed, a study conducted through both an online survey and in-depth interviews found that over 55% of participants purchased goods endorsed by their favourite K-pop idols (Romo et al. 2024). The research findings were further supported, with many of these fans reportedly stating they began following luxury brands online as a result of such endorsements (Romo et al., 2024). What this deduces is that K-pop artists have the ability to evoke a deep sense of emotional connection between products and brands simply through authentic endorsements, with social media playing a pivotal role in further exacerbating these effects (Fabiola et al. 2024).
To no avail, the BOSS X S.Coups provides an exponential opportunity for the brand to expand into the Gen Z consumer base. However, while an additional study on the impact of K-pop idols on brand awareness, hedonic shopping motivation, and purchase intention did, in fact, find a positive correlation between K-pop-led collaborations and endorsements, brands have been warned that the prevalence and over-saturation of these campaigns may become a challenge; especially in SEAPAC countries, where such collaborations may already be heightened (Andira et al. 2023).
PROJECT PROPOSAL |
PROJECT PROPOSAL |
OVERVIEW OF COLLECTION
Introducing ‘BECOME. BY BOSS’; an 8 piece Capsule Collection curated with the intention of helping consumers escape the noise of everyday life and elevate themselves into the version they aspire to BECOME. Rooted in WGSN’s upcoming “Enriched Classics” trend, the collection fits seamlessly into the BOSS DNA. The capsule is built on the basis of aspirational appeal, and aims to make wearers feel as though they embody the traits of sophistication, elegance, and leadership; the same qualities represented by S.Coups himself. As both co-designer and face of the collection, S.Coups brings a strong personal alignment to the capsule, making it a tangible representation of who he is and what he stands for.
It will follow a tailored yet oversized aesthetic to resonate with Gen Z and reflect S.Coups’ personal style, while paying homage to 1980s fashion. It will additionally feature sophisticated, elegant detailing and strive striving to curate a modern take on tailoring. For colour ways, Chalk, and Classic Navy will be used, as well as black and white classics to convey elegance, strength, and refinement (Paget 2024). High-quality, luxurious, and sustainable fabrics, such as, wool, organic cotton and recycled leather will be used to ensure longevity and luxury. Designed to be versatile, the pieces can be mixed and matched not only within the capsule but also with future collections or pieces from consumers’ existing wardrobes. The minimal and timeless design, paired with a WGSN ‘Sartorial Heritage’ colour palette, supports trans-seasonal wear, making the garments easy to style year-round.
To further align with Gen Z values, the brand will introduce an end-of-life initiative; an in-store program allowing customers to return pieces they no longer wear. Returned items will be evaluated for potential resale as second-hand luxury garments; a concept increasingly embraced by Gen Z (Kim-Vick and Cho 2024). Participants will receive a small token of appreciation and a loyalty tier boost. The program also includes discounted custom repairs, with pricing linked to loyalty status.
The collection also aligns with Hugo Boss’ 24/7 lifestyle concept; aiming to curate a sense of luxury that fits into everyday life; whether that be from the office, to the airport, or to after-hours drinks. The aim is that wherever the wearer wants to feel empowered, sophisticated, and as a leader, the collection will strive to seamlessly fit into their life.
In contrast to David Beckham’s Hugo Boss capsule, which is centered around athleticism and masculinity, S.Coups’ collection focuses on refined leadership, sophistication, and a subtle nod to the aspirational style of modern K-pop. The campaign will additionally employ a sense of a black-and-white, cinema, to further create an atmosphere of escapism and transformation. S.Coups will also launch his own fragrance as part of the capsule, diverging in scent notes and mood from David Beckham’s. His fragrance will highlight sophistication and leadership, and the bottle design will subtly integrate WGSN’s “Branding 2.0” aesthetic, which will also be present in product tags and packaging to resonate especially with the Japanese market (Chow 2024).
THE 8 PIECES
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THE 8 PIECES ~
1 X OVERSIZED LEATHER BOMBER
1 X CASHMERE SWEATER
1 X RELAXED TAILORED SOLID SUIT-SET (2 PIECES TOTAL)
1 x DOUBLE BREASTED PINSTRIPE SUIT-SET (2 PIECES TOTAL)
1 X FLUID SHIRT
BOSS NEW FRAGRANCE
RETAIL STRATEGY
The BOSS retail strategy will aim to ensure a succinct omnichannel presence; through physical and digital spaces.
From a bricks-and-mortar perspective, the Hugo Boss Tokyo Flagship store will be transformed to portray the capsule. There will be black and white film screens playing campaign hero video snippets on a loop, and layered mannequins will be styled in various ways to showcase the styling potential of the capsule. Indeed, each mannequin will include a QR code that consumers can scan to be taken to a dedicated website page featuring more styling options for that outfit, along with information on fabrication and sourcing. Holographic technology will also be used, with product display buttons in-built and able be pressed to have S.Coups appear and explain why he loves that specific piece. The store will play a curated playlist by S.Coups, designed to personify and reflect the collection. A monogramming station will additionally be prevalent, to allow consumers to add a personal touch of luxury to pieces, such as the bomber jacket. Furthermore, the in-store experience will aim to feel calm, sophisticated, and elegant; to feel like a personal style hub, rather than something loud, crowded, or overwhelming. It will personify the feeling of transformation the consumer experiences when wearing the garments, beginning the moment they enter the space.
To complete the bricks-and-mortar strategy, a pop-up store activation will launch in Osaka, featuring only the BOSS X S.Coups capsule. Designed to feel like consumers are stepping inside the campaign video, the space will be black and white, with the garments as the only source of colour. The digitally-driven pop-up will include AR tech, similar to the flagship, and QR codes linking to the same Instagram filters used in the campaign. Purchases will be packaged in BECOME. BY BOSS – BOSS X S.Coups branded bags using subtle 2.0 branding. The pop-up will also host a guest appearance by S.Coups, where he’ll give personal styling advice, perform, and engage with customers. An additional activation will be held at the flagship, centred around the fragrance. Indeed, the experience will be inspired by a traditional Japanese tea ceremony, and designed to provide a cultural, tactile, and luxury ritual of fragrance wearing; embodying the scent’s personified characteristics.
From a digital perspective, a shoppable campaign video will be distributed across social media and the brand’s website, with direct product links for ease of purchase. The website will maintain the classic BOSS minimalism through clean web design, subtle animations, and immersive virtual content to support storytelling and appeal to the Japanese consumer (Isroni et al. 2025). Instagram and TikTok will use the #BECOMEBYBOSS hashtag to push campaign content. AR will allow virtual try-ons via Instagram and TikTok filters, and an AI-based quiz will help consumers identify the pieces that best represent them, and offer subsequent styling suggestions. The final digital touchpoint will utilise and integrate the Hugo BOSS XP loyalty program (Metzingen 2024). VIP members will receive early access to the collection via a private viewing and exclusive pre-sale; focusing more on the existing consumer rather than Gen Z, to keeps long-term customers engaged. Loyalty tiers will unlock additional benefits like private styling sessions with S.Coups, complimentary fragrance, monogramming, and personalisation.
MARKETING STRATEGY
The overarching theme of the marketing strategy is to portray the capsule collection as a physical personification of the three attributes both S. Coups exudes and the consumer seeks to attain: sophistication, elegance, and leadership. A hero campaign will be constructed through a cinematic lens, exploring the theme of escapism; suggesting that by wearing the BOSS collection, you can escape your reality and BECOME something entirely different. This will be reinforced through videography and sound design, attaching a sense of calm and detachment from the overwhelm of modern life, as if the world has slowed down and quietened. The hero video will follow a person walking through the streets of Tokyo, overwhelmed and dressed in uninspired clothes, he then puts on headphones, a curated soundtrack begins, and a visual shift to black and white marks his transformation, now styled in the BOSS X SC Capsule Collection and fragrance, to show up as his ideal self: sophisticated, elegant, powerful; a leader. Cinematic shots on a boat, in an office, at a rooftop bar, and at the airport will show the persona fully styled and BECOMING the refined leader he aspires to be. This film will be supported by aligning photography used in-store, online, and across social platforms.
For owned media, the film and imagery will be dispersed across BOSS’ social channels and website, with a dedicated landing page including collection details, behind-the-scenes content, styling suggestions, and a curated lookbook from Fashion Week. Candid and interview-style videos of S. Coups, filmed both on set and behind the scenes, will be shared across TikTok and Instagram. TikTok will host more casual content, like S. Coups speaking directly to camera, while Instagram will showcase the curated videos. Personalised email marketing will run in several phases: an initial teaser with S. Coups, a preview, launch, and reminder; all aligned with BOSS’ Claim 5 strategy.
Paid media will focus on a mix of social and digital display ads for both garments and fragrance. Paid social ads will run across Instagram and TikTok, including product photography and Reels on Instagram, and candid clips and short videos with S. Coups on TikTok. Google Ads will target fashion-forward individuals searching for fashion, K-pop, or S. Coups, alongside sponsored ads for paid media articles. Display ads will be placed in major cities, headlined BECOME. By BOSS, aimed at the generational cohorts outlined in the customer personas.
Earned media will be driven by the core campaign featuring S. Coups as ambassador, supported by paid influencers wearing and promoting the collection. A Fragrance centred, Tea Ceremony style activation at the flagship store will occur for consumers, alongside the Pop-Up Store activation, with both encouraging content creation from guests via selfie stations and the hashtag #BECOME.BYBOSS. A press release will announce the collaboration, followed by a VIP invite-only dinner at a luxury restaurant in Japan. This PR event will feature curated guests, including influencers, celebrities, and tastemakers chosen by S. Coups and BOSS; each gifted a collection outfit to wear. A follow-up press release will accompany the event, with attendees required to post from and about the dinner, sharing transformation-style content to generate traction.
Finally, in-store marketing will be led by sales staff trained by the campaign stylist through a short documentary-style video series. Training will cover how to style each piece for different occasions (e.g. work, leisure, travel), fit, fabric, and colourway details. Flashcards will be provided in-store, and staff will be encouraged to BECOME style guides rather than sales assistants; embodying the role of a stylist to demonstrate the collection’s full potential.
PROJECT METHODOLOGY
The overarching aim of the research to be conducted will be to address the Gen Z loyalty piece and explore what truly makes Gen Z connect with a luxury product. As discussed in the project background, secondary research has shown that brand connection is vital for Gen Z to become brand loyal. However, the primary research will focus on understanding directly from the consumers how to achieve that. This insight can then be translated into the BOSS X S.Coups Collection, hopefully generating long-term loyalty within this consumer group.
Additionally, the primary research will be valuable in further developing the marketing strategy, helping to determine the best way to position a product already underpinned in emotional connection. The goal is to position the consumer group to fall in love with the products, feel that it’s an extension of themselves, and ultimately feel they must wear the garments. The participants will primarily be Gen Z individuals from Japan, aged approximately 24-28. This will be the main target audience, and including them will provide valuable insights into the mindset and lifestyle of this market. A smaller group of participants, aged 34-44, will also be targeted to ensure the campaign resonates with them as well, to avoid alienating existing loyal customers. Since the goal is to curate a true luxury experience, perceptions of what defines luxury will be explored.Participants will be recruited through a detailed Facebook group search, where an ad will be placed within the group, inviting those who meet the specified criteria to participate. Once a few participants are identified, they will be asked to ask within their personal networks to help increase numbers. Additionally, the researcher has contacts within the consumer base in Japan who will be asked to assist in recruiting participants that fit the generational profile.
Three research methods will be employed. The first method is observation, where BOSS customers will be observed in-store to gain insights into how they engage with the brand. While this provides valuable data, it is limited by the fact that the observations will take place in Australia, not Japan, and won’t be able to discern the customers' true intentions. The second method is a survey, which will ask a broad range of questions to gain deeper insights into the specific behaviours of Gen Z consumers in Japan. The third method will be a focus group, conducted with Gen Z consumers in Australia who are interested in K-pop and fashion. Although this third method won't be specific to the Japanese consumer, it will still provide valuable insights and will complement the survey data by offering a broader perspective.
PITCH SLIDES
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APPENDIX
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